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Rain, thunder, surf, wind, fire and crickets — synthesised, not recorded, so nothing ever loops.
The Nature channel has rain, distant storms, thunderstorms, surf, a stream, wind, fire, night, a forest, a cave and an underwater bed. Every one of them is built from filtered noise and synthesis in your browser rather than played back from a field recording.
That matters more than it sounds. Recorded nature loops are usually a few minutes long, and once you notice the seam — the same gull, the same clap of thunder coming back — you cannot stop hearing it. Synthesised textures have no seam to find.
Rain and stream are the closest to pink noise and work well for concentration. Surf and wind are slower and swell gently, which suits winding down. Fire and cave are the quietest. Thunderstorm has real events in it, so it is better for reading than for deep work.
All of it is CC0 public domain, uses no bandwidth while it plays, and can run for as long as you leave the tab open.
No, and deliberately so. They are synthesised as they play, which is why they never repeat and cost no data to stream.
No. Birdsong is made of distinct, attention-grabbing events, which is the opposite of what a background texture should do.
Not at the moment — one channel plays at a time.